On set, in the middle of the Atlantic Forest, a stressed film director begins another day of filming, reproducing the celebration of the first mass in Brazil. Suddenly three strange agents emerge from the forest and abruptly interrupt the scene. Authoritarians, they confiscate the filmed negatives. The paranoid director grumbles: "Are they from the government?". The execution of the film is compromised. Will the director in trouble be able to complete his film?

A girls' weekend retreat at a cabin in the woods turns deadly for three BFFs and their daughters when a decades-old evil from their past awakens.

三个闺蜜带着她们的女儿们在森林小屋共度周末，不料，她们过去几十年来招惹的邪恶势力突然苏醒，让她们陷入致命危机。

Julie is a student who finds a old LP disc and when she put it to play, releases three musicians ghosts, who become part of the girl's life.

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Paulo (Pedro Brício), a publicist of Rio de Janeiro, moves to Brasília (capital of Brazil) to be the manager of the public image of a senator who wants reelection. Paulo is accompanied by his wife, Cris (Cintia Rosa), a journalist with whom he has a small daughter. But their relationship is not moved by love, they are only together for the girl, the result of an unwanted pregnancy.

A group of young assassins, trained by the rainforest's absolute ruler known as 'Master' and affiliated with the organization 'Tristes Tropiques,' struggle with mutual distrust as they vow to exact bloody revenge.

In the post-pandemic future of covid-19, will the centrality be the financial casino and the accumulation of wealth by an elite or a quality life for all, with less inequality? Did the minimal state show itself capable of serving the collective? How to guarantee life without social and labor rights? What model of society do we want to live in? The film addresses the dismantling of the concept of social welfare and makes us reflect on the incompatibility of neoliberalism with a humanist project of society.